Before the Music Dies

I have a few more cable channels thanks to my landlord upgrading the telecom around here. Shouldn't complicate things too much. I now have an extra Korean entertainment channel, expanded Discovery, news and HBO channels and Sundance Channel.

A primary gain from the extra Korean entertainment channel is a program which highlights working South Korean bands of various genres. With my recent unhealthy and unholy penchant towards K-pop girl groups, this program makes it clear that the Korean music scene is, in fact, more variegated and diverse.

Rock, live music, musicianship and people who are likely not so impressed by the international popularity of K-pop are alive and well in Korea, granted none of the bands on the show, albeit listenable and not terrible, have grabbed me. It's still good to know it's there.

And irony not missed, one of the first films I watched on the Sundance Channel was a documentary called Before the Music Dies, generally about the commercialization of the music industry in the U.S. The important point to me is that everything disparaging that is said or described about how bad music is manufactured in the U.S. is precisely how it's done in Korea.

The difference, I might defensively flail, is that there's no question about the nature of K-pop in Korea. There is no argument about art vs. commerce. I'm a fan of K-pop girl groups and not once has it crossed my mind that this is art or has integrity in any way.

K-pop idols are people who want to be performers, but don't have the artistic inspiration or wherewithal to make it on their own from the ground up. They have talents and are highly trainable. The entertainment agencies aren't interested in art. They're not trying to make good music. They only want to make money.

To the process vs. product argument, by process, K-pop is by definition bad music. As for product, as I've mentioned over and over again, I don't know why I like K-pop and no other manufactured pop from other countries. I put it to better songwriting, but that's hardly quantifiable.

I might mention, if I haven't already, it is essential to my fandom that I can't understand the lyrics, which I'm sure are so banal as to be insulting. That's a given. I'm only a fan because I can't understand the lyrics.

Another given is that if I saw the music collections of the celebrity idols of whom I'm a fan, I would cringe and wilt and scream in anguish to the skies, "whhhhyyyyy?!!!". I'm sure they listen to shit that I despise and would likely not be impressed by my music collection, either.

Mind you that's very different from musicians I genuinely respect. I would want to know their sources and I'd likely listen to and respect, if not personally like, what they listen to. Fuck, I don't even like Eric Clapton, totally overrated, but he's real enough that I'd totally be interested in who his influences were.

This is future life projecting. If the Hinduistic/Buddhistic model of reincarnation is somewhat valid, and if it is Korea to where I'm angling a rebirth, then maybe it's not a place that will be jolting or shocking towards my samsaric karma.

That is to say that if I am reborn in Korea, it would be the result of attachments and not-quite-enlightened views of being that would manifest, but I'd still be OK to find myself on my path. Penchant towards K-pop girl groups notwithstanding.