Yes indeedy, yet another addition to my vanity project of making a mix CD for
every year I've been alive! And same as since 2012, it's a
double-disc collection filled with K-pop! Yay! Of course there's no
reason on multiple levels for doing this. There's no reason for most of my
life, what's your point? The CD medium itself is an artificial and/or obsolete
construct. Who even uses CDs anymore? (oh yeah, me) But for me the physical
limit is important (if allowing for a second CD can be called "limiting"), as
is the concept of a "collection" with track order, segues and flow and
contours. Who even thinks that way anymore? (oh yeah, me)
What a long, strange trip it's been in just these mix CDs. The extreme left turn that is K-pop so late in my life still confounds me to the point that I still can't dismiss mystical attribution of future life resonance – that my next life will be in Korea. FLR might also be why I'm primarily attracted to girl groups, whereas if it was just about the music genre I should be equally accepting of the boy groups. I'm drawing analogies with passages in the so-called Tibetan Book of the Dead that describe the bardo of rebirth whereby individuals that are to be reborn as male will feel jealousy towards the father and attraction to the mother and vice versa for females (that's just the basic template while, as my theory goes, genetics also play a part; the gender-"determining" experience in the bardo primarily affects subjective identity and may influence physically being born one gender or another (or yet another these days) but can't counter genetics dictating otherwise. It explains a lot if you think about it). So the Korean thing may be a resonance as to where I'm to be reborn, while the focus on the female may be sticking with current karma that I'll be born male (getting XX chromosomes notwithstanding). What the hell am I talking about?
Back on planet earth I've tried to explain the K-pop in other ways – that it's about songwriting, really good melodies, tight backing-track arrangements, the progressions, the gestalt and other musical/production attributes – but I feel like I'm trying to legitimize something that doesn't need legitimizing. I've always trusted my musical tastes and rarely have I made the blunder of thinking something was good only to realize there really wasn't much substance (mostly when I was trying too hard). But I suppose maybe none of this matters if it's future life resonance at play. It's no longer my musical tastes in this lifetime, but echoes from a future that hasn't happened yet or is supposed to be happening if I had kept to script and departed for that life long ago. My music listening has been hijacked. And I've mentioned before that the Korean thing is the future life resonance, not K-pop. The K-pop is because of love of music in this current life. In future lifetimes I may not be interested in music at all. Theoretically, if I had some other strong interest, it would be some other aspect of Korea that would be inexplicably manifesting.
I wonder what I would've been listening to for the past decade if K-pop hadn't happened. Anything good coming out of the west aside from Hamilton? I haven't noticed anything. I wouldn't need anything new since all the music I acquired in those hard-drive exchanges in 2009-2010 may have taken 10 years to get familiar with; as I mentioned, it's good stuff, I like it, but I frustratingly just don't know it.
*sigh* Music show video clips from 2019 still had live audiences. Because of the CCP pandemic, there have been no audiences for the music shows in 2020 and there's a palpable difference in energy without the screaming audiences and fanchants.
Disc One: (zip download)
2. Bing Bing (Nature)
3. Uh-Oh ((g)I-dle)
4. Umpah Umpah (Red Velvet)
5. Tiki-Taka (99%) (Weki Meki)
6. Butterfly (LOOΠΔ) (music video) (choreo vid)
7. %% Eung Eung (Apink)
8. One Blue Night (Jiyeon (ex-T-ara)) (lyric video) (audio only)
9. Sunrise (Gfriend)
10. Bbyong (Saturday) (choreo vid)
11. Well Come to the BOM (Berry Good) (official audio)
12. Kill You (Hot Place) (lyric video) (audio only)
13. Hip (Mamamoo)
14. Dalla Dalla (ITZY)
15. How You Doin'? (EXID) (lyric video) (official audio)
16. Lalalay (Sunmi (ex-Wonder Girls))
17. 1, 2 (Lee Hi) (unofficial upload) (lyric video)
18. 5 More Minutes (DIA)
19. Sugar Pop (Cosmic Girls (WJSN)) (lyric video) (music students react)
20. Turn It Up (Twice) (lyric video) (official audio)
21. yeah yeah (Kisum) (audio only)
22. Guerilla (Oh My Girl)
23. This Winter (Berry Good)
Disc Two:
1. Picky Picky (Weki Meki)
2. Woowa (DIA)
3. Devil (CLC)
4. Thumbs Up (Momoland) (choreo video)
5. Hakuna Matata (DreamNote) (choreo video)
1. Picky Picky (Weki Meki)
2. Woowa (DIA)
3. Devil (CLC)
4. Thumbs Up (Momoland) (choreo video)
5. Hakuna Matata (DreamNote) (choreo video)
6. Late Autumn (Heize) (lyric video) (official audio)
7. Hush (Everglow) (lyric video) (official audio)
11.
Boogie Up
(Cosmic Girls (WJSN))
(full-stage fancam)
12. You Don't Know Me (Yoomin (ex-Melody Day)) (audio only)
13. New Day (Ladies' Code) (lyric video) (audio only)
14. Hocus Pocus (Bvndit)
15. Fancy (Twice)
16. Lion ((g)I-dle)
17. XX (Bolbbalgan4) (lyric video) (official audio)
18. Moonlight (Lovelyz)
19. Goblin (Sulli (ex-f(x)))
20. Recipe ~ For Simon (GWSN) (lyric video) (official audio)
21. LP (Red Velvet) (lyric video) (official audio)
22. Memories (Apink) (lyric video) (official audio)
23. Love RumPumPum (fromis_9) (unofficial stage mix)
24. Ruddy (Cherry Bullet) (official audio)
2018 mix CDs
14. Hocus Pocus (Bvndit)
15. Fancy (Twice)
16. Lion ((g)I-dle)
17. XX (Bolbbalgan4) (lyric video) (official audio)
18. Moonlight (Lovelyz)
19. Goblin (Sulli (ex-f(x)))
20. Recipe ~ For Simon (GWSN) (lyric video) (official audio)
21. LP (Red Velvet) (lyric video) (official audio)
22. Memories (Apink) (lyric video) (official audio)
23. Love RumPumPum (fromis_9) (unofficial stage mix)
24. Ruddy (Cherry Bullet) (official audio)
2018 mix CDs